ps繪制逼真的油漆毛刷教程(8)

使用Photoshop創(chuàng)建靜態(tài)物體往往是學(xué)習(xí)制作其他對(duì)象的很好的實(shí)踐練習(xí)。在今天的教程中，我們將演示如何使用圖層樣式，剪切蒙板以及不常用的混合顏色帶，制作一個(gè)寫(xiě)實(shí)漆刷，讓我們開(kāi)始吧

先看看效果圖

Creating still-life objects inPhotoshop is often great practice for learning how to create other objects. Intoday’s tutorial we will demonstrate how to create a realistic-looking paintbrush using layer styles, clipping masks, andthe not-so-commonly-used blend if sliders. Let’s get started!

使用photoshop創(chuàng)建靜態(tài)物體往往是學(xué)習(xí)制作其他對(duì)象的很好的實(shí)踐練習(xí)。在今天的教程中，我們將演示如何使用圖層樣式，剪切蒙板以及不常用的混合顏色帶，制作一個(gè)寫(xiě)實(shí)漆刷，讓我們開(kāi)始吧!

Step 1

Create a new document (2400px x2175 px). Sketch out a scene of a paintbrush.

(創(chuàng)建一個(gè)新的文檔(2400px x 2175px),勾畫(huà)一個(gè)漆刷的場(chǎng)景。)

Step 2

This step is optional, but I’veadded some additional visual guides to help me draw the bristles.

(這一步是可選擇的，但是我已經(jīng)增加了一寫(xiě)額外的視覺(jué)指示來(lái)幫助我畫(huà)刷毛。)這些指示將會(huì)形象的表現(xiàn)出畫(huà)刷毛的起始端和結(jié)束端。

Step 3

Before we start drawingbristles, create a New Group called “Bristles.” Inside this group, create alayer called “Bristles” and add the following Layer Style.

(在我們開(kāi)始繪制刷毛前，先創(chuàng)建一個(gè)新組命名為“Bristles” 。在這個(gè)組里，創(chuàng)建一個(gè)名為“Bristles”的圖層，并添加下面的圖層樣式。)

用8px的刷子，顏色#352E2E

Step 4

Duplicate the empty layer 5times. Since we are making a lot of bristles, we are going to be drawing themon five separate layers. If we tried to draw them all on one layer, the strokeswould blend together and ruin the layer style that’s applied. Select thebottom-most layer in the “Bristles” group and, with a small brush, startdrawing lines using the guides and sketch as references.

(復(fù)制空白圖層5次。我們要畫(huà)制很多刷毛，所以我們要在5個(gè)分開(kāi)的圖層上畫(huà)。如果我試圖僅在一個(gè)圖層上畫(huà)所有的刷毛，那當(dāng)圖層被應(yīng)用時(shí)，這些筆畫(huà)將混在一起，破壞了圖層效果。在“Bristles”組里選擇一個(gè)最底端的圖層，用小號(hào)刷子，以指示和草圖作為參考，開(kāi)始畫(huà)制線條。)

(5個(gè)圖層，全部使用相同的圖層樣式)

Step 5

Continue drawing bristles onthe remaining four layers, adding some variation and stray bristles as you go.Feel free to add more layers as you see necessary.

(在四個(gè)圖層上保持一樣地繼續(xù)繪制刷毛，添加一些變化和波浪刷毛。你覺(jué)得必要的話，可以隨意添加一些圖層。)

Step 6

When you’re done, you’ll notice there are still several gaps in thebrush. To fix this, create a new layer called “Black out” below the “Bristles”group and paint in a dark gray color (#1B1919) to fill all gaps.

(當(dāng)你完成了，你將會(huì)看到在刷子上仍然有一些個(gè)別的間隙。為了解決這個(gè)問(wèn)題，在“Bristles”組下創(chuàng)建一個(gè)名為“Black out”的圖層，然后用深灰色(#1B1919)填補(bǔ)所有的間隙。)

Step 7

Now, we can add the paint on top of the bristles. Create a New Groupcalled “Outside Paint” above the “Bristles” group and use the brush tool to addanother blob of the same color to the tip of the brush. Use the same techniquewith the Smudge Tool to push the color on to random bristles.

(現(xiàn)在我們?cè)谒⒚捻敳刻砑佑推�。�?ldquo;Bristles”組之上新建一個(gè)組名為“OutsidePaint”，用畫(huà)筆工具添加一個(gè)相同的顏色到刷子的末端。使用涂抹工具，用同樣的手法和技巧隨意的拖動(dòng)刷毛。)

Step 8

To create the effect that thebristles have ‘taken’ the paint, use the Smudge Tool, set to 100%, to push thepaint on to random bristles.

(為了制造出刷毛完全吸收油漆顏料的效果，使用涂抹工具，設(shè)置為100% ，隨意的拖動(dòng)刷毛。)

Step 9

Now, we can add the paint ontop of the bristles. Create a New Group called “Outside Paint” above the“Bristles” group and use the brush tool to add another blob of the same colorto the tip of the brush. Use the same technique with the Smudge Tool to pushthe color on to random bristles.

(現(xiàn)在我們?cè)谒⒚捻敳刻砑佑推帷Ｔ?ldquo;Bristles”組之上新建一個(gè)組名為“OutsidePaint”，用畫(huà)筆工具添加一個(gè)相同的顏色到刷子的末端。使用涂抹工具，用同樣的手法和技巧隨意的拖動(dòng)刷毛。)

Step 10

To give the paint some variation, add the following Layer Styles. As anoptional step, you can use the Eraser Tool (E) set to 1 px to erase lines fromthe paint. This will give the illusion that some bristles are showing throughthe paint

(為了讓油漆有一些變化，增加下面的圖層樣式。作為一個(gè)可選擇的步驟，你可以使用橡皮擦工具(E)，設(shè)置為1px 的擦除線。這樣將會(huì)有一種刷毛浸透油漆的感覺(jué)

Step 11

Next, we want to merge thelayer effects to that layer. To do this, Right + Click on the “Paint” layer andchoose “Create Layers” (this will convert the layer styles in to their ownlayers). Now, just select all the new “Paint” layers and merge (Command/Ctrl +E).

Paint”Create Layers.PaintCommand/ Ctrl+E.)

Step 12

Next we are going to add the streak of paint. Create a New Layer called“Streak.” Use the Brush Tool to add a streak of paint using the same color ofpaint that is on the bristles.

(接下來(lái)我們要添加油漆漆刷的條紋.新建一個(gè)名為“Streak”圖層，用“畫(huà)筆”工具增加一個(gè)條紋，顏色和刷毛顏色一樣。)

Step 13

Next we are going to add thestreak of paint. Create a New Layer called “Streak.” Use the Brush Tool to adda streak of paint using the same color of paint that is on the bristles.

(接下來(lái)我們要添加油漆漆刷的條紋.新建一個(gè)名為“Streak”圖層，用“畫(huà)筆”工具增加一個(gè)條紋，顏色和刷毛顏色一樣。)

Step 14

Use the Dodge and Burn Tools toadd some subtle variation to the streak. When you’re done, merge this layerwith the “Paint” layer. Rename the layer to “Paint.”

(用“減淡”和“加深”工具，在條紋上增加一些細(xì)微變化。當(dāng)你完成了，和“Paint”圖層一起合并。重命名為“Paint”.)

Step 15

Now, we are going to give thepaint that wet look. To start, create a New Layer called “Highlights 1″ andmake this a clipping layer (use Alt + Click on the Layers Panel).

現(xiàn)在，我們要給油漆濕感，新建一個(gè)名為“Highlights 1” 圖層，制作一個(gè)剪切層(在圖層板上使用Alt+單擊 )

Step 16

Now, draw in some white highlights as shown. Set this layer’sopacity to 11%

(現(xiàn)在如圖所示，繪制一些白色的高光，設(shè)置這個(gè)圖層的不透明度為11%。)

Step 17

Open the layer’s Layer Styles and adjust the “Blend If: UnderlyingLayer” sliders as shown

(打開(kāi)這個(gè)圖層的圖層樣式，調(diào)節(jié)“混合顏色帶”滑標(biāo)如圖所示. )

Step 18

Next, we are going to do thesame with a darker color. Create a new clipping layer called “Lowlights” anduse a darker red to paint in some lowlights.

(接下來(lái)，我們將做同樣一個(gè)較深的顏色。新建一個(gè)名為“Lowlights”的剪切層，并使用暗紅色涂刷在這些“Lowlights”上。)

Step 19

Set the “Lowlights” layer’sopacity to 72% and open the Layer Styles to adjust the Blend If sliders asshown.

(設(shè)置“Lowlights”圖層不透明度為72%，打開(kāi)這個(gè)圖層的圖層樣式，調(diào)節(jié)“混合顏色帶”滑標(biāo)如圖所示.)

Step 20

We can keep using thistechnique of adding highlights and adjusting its Blend If sliders to completethe ‘wet’ look of paint (I used this technique to add 3 more highlights).(我們可以用同樣的手法添加“highlights”，調(diào)節(jié)它的“混合顏色帶“滑標(biāo)來(lái)完成油漆的濕感(我用這個(gè)方法添加了3個(gè)以上的“highlights”.)

Step 21

Now that the bristles and paintare done, we can create the rest of the brush. Hide all layers associated withthe paint and bristles. Next, create a New Group called “Handle”. Inside thatgroup, create 2 new groups called “Metal” and “Grip”.

(現(xiàn)在刷毛和油漆已經(jīng)完成，我們可以創(chuàng)建毛刷的其他部分。隱藏所有有關(guān)刷子和刷毛的圖層。接下來(lái)，新建一個(gè)組名為“Handle”。在這個(gè)組里，新建2個(gè)組，分別命名為“Metal”and “ Grip”.)

Step 22

In the “Metal” group, create aNew Layer called “Metal Band.” Using the sketch as a guide, create the shape ofthe metal band that holds the bristles in place. I found it easier to createthe brush’s handle upright. It may help to go back to the sketch and create acopy to rotate it so that the brush is standing up.

(在“Metal”組里，新建一個(gè)圖層名為“Metal Band”。以草圖為參考，創(chuàng)建能包住刷毛的金屬帶。我覺(jué)得創(chuàng)建一個(gè)垂直的刷柄很容易。它可以幫助回到草圖，並創(chuàng)建一個(gè)副本，旋轉(zhuǎn)，這樣的刷子就能豎起來(lái)。)

Step 23

Create a New Layer called “Bevels” and draw in some bevels. You can usethe Pen Tool if you wish, but I just used the Brush Tool.

(新建一個(gè)圖層命名為“Bevels”,畫(huà)一個(gè)一樣的斜面。如果你愿意，你可以使用鋼筆工具，但是我就用了畫(huà)筆工具.)

Step 24

Use the “Bevels” layer to makea selection (Command/Ctrl + Click the thumbnail). Use this selection to Cut(Command/Ctrl + X) the “Metal Band” layer. Also cut out some holes for rivets.All of these cuts will give us more edges for the Bevel and Emboss effect inthe next step.

(使用“Bevels“圖層作一個(gè)選項(xiàng)(Ctrl +點(diǎn)擊縮略圖)。使用此選項(xiàng)來(lái)剪切(/按Ctrl+X)的“Metal Band” 圖層。也削減了一些鉚釘孔。在下一個(gè)步驟中，我們將給予所有這些切圖更多的邊的斜面和浮雕效果)

Step 25

Add the following Layer Stylesto the “Metal Band” layer

給“Metal Band”圖層添加下面的圖層樣式，

Next, add the following layerstyles to the “Bevels” layer.

接下來(lái)，給“Bevels”圖層增加下面如圖所示的圖層樣式，

The result should resemble theimage below

( 結(jié)果圖像應(yīng)該是類(lèi)似下面如圖所示的效果.)

Step 26

Next, create a New Layer called“Rivets.” Add a small circle at each opening on the metal band and add thefollowing layer styles.

“Rivets.”。(接下來(lái)，新建一個(gè)圖層名為“Rivets.”在每個(gè)開(kāi)口的金屬帶上增加一個(gè)小圓圈，并添加下面如圖所示的圖層樣式。)

The image should resemble thefollowing

圖像應(yīng)該是類(lèi)似下面如圖所示.

Step 27

Now, to make the next few steps easier, merge the “Rivets” and“Bevel” layers together. Next, merge the layer styles to the “Metal Band”layer.

(現(xiàn)在，接下來(lái)的幾個(gè)步驟容易些，合并“Rivet“和”Bevel“圖層到一起。接著，合并“Metal Band”圖層)。

Step 28

Create a New Layer called “Reflections” and make this a clipping layerto the “Metal Band” layer. Use a dark color to draw in several lines to createthe illusion of a reflection.

新建一個(gè)圖層名為“Reflections”,并做個(gè)剪切圖層到“Metal Band”圖層.用深色畫(huà)幾條線，創(chuàng)造出一種映像效果。

Step 29

Create another clipping layer called “Highlights 1.” Using a lightercolor, draw in some highlights as shown. Use the Burn Tool to give the colorsome variation and the Blur Tool to soften some of the highlights.

(建一個(gè)名為“Highlight 1.”的剪切層，用較淡的顏色，畫(huà)一些亮點(diǎn)，如圖所示。用“加深”工具使一些顏色變化，用“模糊”工具使一些亮點(diǎn)柔和。)

Step 30

Create another clipping layer called “Highlights 2″ and using thesame techniques from the previous step, add some additional highlights.

(建一個(gè)名為“Highlight 2.”的剪切層，與之前的步驟一樣，用同樣的手法添加一些額外的亮點(diǎn)。)

Your image should resemble the following

你的圖像應(yīng)該是類(lèi)似下面如圖所示.

Step 31

Now that we’ve added reflections and highlights as clipping layersto the “Metal Band” layer, we will use the same techniques to add reflectionsand highlights to the bevels. After this is done, add any additional details asyou see fit.

(現(xiàn)在我們已經(jīng)添加了一些映像和亮點(diǎn)在“Metal Band”內(nèi)的剪切層上 ，我們將用同樣的方法在斜面“Bevels”上添加一些映像和亮點(diǎn)。這個(gè)做完以后，你可以增加一些你認(rèn)為合適的額外細(xì)節(jié)。)

Step 32

Create a New Layer called “Grip” inside the previously created“Grip” group. Draw the shape of a brush handle and fill with black. Give thissome noise (Filter > Noise > Add Noise) with a setting of 10%.

(在之前我們創(chuàng)建的“Gip”組里新建一個(gè)名為“Gip”的圖層。畫(huà)一個(gè)刷柄的形狀，并用黑色填滿(mǎn)。給一些的雜色(濾鏡>添加雜色)設(shè)定為10%。

Step 33

Before we finish the grip, rotate and skew the “Handle” group in toposition in our scene. Unhide the “Sketch” and “Bristles” group to help withthe positioning.

在我們完成把手指前，旋轉(zhuǎn)和傾斜組“Handle”到我們場(chǎng)景中相應(yīng)的位置。將之前隱藏起來(lái)的“Sketch”和“Bristles”組，取消隱藏以便于定位。

Step 34

Now, we are going to start texturing the grip. We will do this witha series of clipping layers. Create a new clipping layer to the “Grip” layerand, using a soft brush, paint a portion of it white (see image below). Setthis layer’s opacity to 3%.

現(xiàn)在我們將開(kāi)始把手的紋理結(jié)構(gòu)，我們將用一系列的剪切圖層來(lái)完成這個(gè)。新建一個(gè)剪切層到“Gip”組，用一個(gè)軟刷，描繪出白色部分(如圖)。設(shè)置這個(gè)圖層的不透明度為3%。

Step 35

On a new clipping layer, draw a thinner highlight on the grip.Change the opacity to 23%. Open the Layer Styles and adjust the layer’s BlendIf sliders as shown (this will break up the highlight so it doesn’t appearunnaturally smooth).

在一個(gè)新的剪切層上，在把手上繪制一條薄的高光。將不透明度改為23%。打開(kāi)圖層樣式，調(diào)節(jié)“混合顏色帶“滑標(biāo)如圖所示。(這樣可以打破高光，因此不會(huì)出現(xiàn)不自然的平滑)

Step 36

I want to add some scratches to the bush’s handle for some addedrealism. To do this, open a new document and make a thin brush stoke. Selectthe stroke and go to Edit > Define Brush Preset to make it into a brush.

我想在刷柄上添加一些刮痕，這樣就增加了一些真實(shí)感。為了達(dá)到這點(diǎn)，打開(kāi)一個(gè)新的文檔，做個(gè)很薄的筆觸。選定這個(gè)點(diǎn)并進(jìn)行編輯>定義畫(huà)筆預(yù)設(shè)，使之成為一筆刷。

Step 37

Open your Brush Panel and adjust the settings to give the new brush variable size and scatter.

打開(kāi)你的刷子面板，調(diào)節(jié)設(shè)置刷子的可變尺寸和分散度。

Step 38

Back to the main document, on an new clipping layer, use the scratchesbrush we just created to draw black scratches on the grip.

回到主文檔，在一個(gè)新的剪切層上，用我們之前建好的帶有刮痕的刷子，在把手上畫(huà)制黑色刮痕。

Step 39

Create another clipping layer and add a few more scratches, thistime in white. Adjust the opacity of both layers so the scratches are barelyvisible (darker monitors might have trouble picking this up). Your image shouldresemble the following:

創(chuàng)建另一個(gè)剪切層和添加一些劃痕，這一次為白色。調(diào)節(jié)兩個(gè)圖層的不透明度，使劃痕不是很明顯(深色的顯示器用這個(gè)方法可能比較麻煩).你的圖應(yīng)該類(lèi)似如圖所示：

劃痕看起來(lái)是很精細(xì)，輕薄的。

Step 40

As an optional step, you can go in to the “Metal Band” layer and usethe same scratches brush to add scratches to the metal.

作為一個(gè)可選擇的步驟，你可以去“Metal Band”圖層，并用同樣的手法在金屬上添加一些劃痕。

Step 41

Back in the “Handle” group, on a new clipping layer, use the BrushTool to paint a soft highlight as shown (make sure you are not using theScratches brush). Change the Blend If settings as shown and change its opacityto 80%.

會(huì)到“Handle”組，在一個(gè)新的剪切層上，用畫(huà)筆工具畫(huà)一個(gè)如圖所示的軟高光(請(qǐng)確保你沒(méi)有用劃痕刷)。改變它的顏色混合帶如圖所示，并改變它的不透明度為80%。

Step 42

On an new clipping layer, create another, thinner highlight on topof the last one. Adjust the Blend If settings similar to the last layer we didand change the Opacity to 12%.在一個(gè)新的剪切層上，在頂部創(chuàng)建另一個(gè)高光亮點(diǎn)，并12%

Step 43

On a new clipping layer, create an oval and fill it with white.Rotate it in to perspective and add a layer mask to erase part of the bottom ofthe oval. Adjust the Blend If slider and set its Blending Mode to Overlay.

在一個(gè)新的剪切層上，創(chuàng)建一個(gè)橢圓形，并用白色填滿(mǎn)。旋轉(zhuǎn)角度到如圖所示的位置，并添加一個(gè)圖層蒙板擦除的橢圓形的底部。調(diào)節(jié)混合顏色帶，并設(shè)置混合模式為疊加。

Step 44

Use a Brush Tool to add a bit of a highlight on the bevel. Use theBlur Tool to soften the highlight.

用畫(huà)筆工具在斜面上添加一小塊高光。使用模糊工具來(lái)軟化亮點(diǎn)。

Step 45

Lastly, we can go back through the image to add some detail or makeminor adjustments.

最后，我們可以回到圖像，增加一些具體的或細(xì)節(jié)調(diào)整。

Step 46

Unhide all the working layers and you’re finished. If you want to,you can use the original “Grip” layer to add different textures. In this case,I’ve added a faux wood finish using a texture I’ve already created usingPhotoshop.

如果你愿意，你可以用原始的“圖層添加不同的質(zhì)地，結(jié)構(gòu)。在這里，我已經(jīng)增加了一個(gè)之前我就用建好的人造木頭的紋理.

最終圖像